Pole Dancing to Gospel Hymns: The Poetry of Andrea Gibson

Fall 2014, Uncategorized

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by Sarah Leidhold

 I heard the poetry of Andrea Gibson before I read it; and I’m not sure if that is considered cheating, like giving one’s eyes the pleasure of watching the movie before the more satisfying labor of earning the narrative through the exploration of reading. A crony of mine posted a link of her spoken word session on Facebook, making a bold statement about her brilliance. Because I respect the opinion of this friend, my fingertips instructed the mouse to click, and, as requested, I turned up the volume.

What I heard then was something I never forgot. It was Gibson’s piece, “Maybe I Need You,” about the prickling nostalgia of having your hands ache to hold someone who is entirely too gone to fathom. I myself wasn’t hurting at the time, but when heartbreak did befall my soul, I craved the sound of her rhythmic vocalizations and the piece’s exactly on point descriptions of the rollercoaster of human emotion.

I sought out her writing more and more, finding my own writing muse gaping at her creative insightfulness and begging that my words would try to mimic it. As cliché as it may sound, Gibson was my compass through a summer tangled with the dark disillusionment of love lost. And since then, I have made her my poetical goddess, referring to her when I need a wisp of inspiration or when my heart is feeling hollowed out or much too full. Last year I witnessed her reading live and I completely saturated the basins of my cheekbones with saline–crying for the incomprehensible beauty that I was witnessing.

Gibson’s book of poetry, Pole Dancing to Gospel Hymns, was published in 2008 by Write Bloody Publishing. with  a new edition coming out in 2010. Featuring illustrations by Anis Mojgani, the book was awarded the DIY Book of the Year and was nominated for the Pushcart Prize. Pole Dancing to Gospel Hymns contains 26 poems, most written in free verse, with some sporadic rhyming.

Within these texts, Gibson stares into the face of the forces of evil that are cloaked in propriety or tradition in our world and gives us the gory details: patriarchy, warfare that slaughters children on US dollars (“El Mozote”), the Post-Traumatic Stress Disorder that soldiers bring home from war, mental health issues, the horror of rape, the injustice of laws that do not allow gays to marry, the wrongful assumptions of sexism, the avarice inherently interlaced with our consumer culture, and more. She dexterously contrasts the stark blackness of these horrible truths with the saving grace of much more gentler forces like forgiveness, love that spans across boundaries of gender or race, the innocence of children, the unrelenting promise of pacifism, and, above all, the power of altruism as the guiding force for human harmony.

Gibson juxtaposes two opposing images of mankind: one as a monstrosity that employs indiscriminate violence to satisfy its bottomless greed under the guise of religious convictions, and the other a creature capable of breathtakingly profound descriptions of the specificity of things, both internal and external, that make the human race such a beautiful species, one that harbors more potential for compassion than it is capable of realizing.

Gibson fleshes out images/instances of both love and hate: personifying both empty clichés about romantic relations and stark facts about the horror of war. Her poems speak with the breath of human life by painting portraits of people, things, and emotions with a crafted realism. But Gibson also whispers into the reader’s ear idealistic ideas that fill one with hope that the world can be improved, as in “See Through”:

“And Jesse this

is not just a picture [of] our history,

not just a picture of our past.

We’ve been hundreds of years

Measuring the size of their hearts

By the size of our fists,

Erecting our bliss on the broken backs of dark skin.

The present is far from gift-wrapped”

Besides being a poet, Andrea is an activist who urges us not only to be aware but also to work for change. Again, from “See Through”:

“I don’t believe we’re hateful.

I think we’re just asleep.

But when we wake we can’t call up the dead and say,

‘Sorry, we were looking the other way.’

There are names and faces behind our apathy,

eulogies beneath our choices.

There are voices deep as roots

thundering unquestionable truth

through the white noise that pacifies our ears.

Don’t tell me we can’t hear.

Don’t tell me we don’t hear.

When the moon is slain,

when the constellations disperse like shrapnel,

don’t you think it’s time

something changed?”

The title of Gibson’s collection, Pole Dancing to Gospel Hymns, suggests a rebellion against traditional principles and authorities, but not all of Gibson’s work focuses on extremes of human pain and injustice. She also has pieces that completely focus on the bliss of finding harmony in relationships, especially romantic ones, as in “Love Poem.” She also discusses the heartache of relinquished connection with another in writing that moves one’s heart.

Gibson’s writing often makes allusions to history, current events, and other literature, as well as employing metaphors and extended metaphors.

 Anyone who picks up this book should prepare to be moved, to heave open one’s heart. This writer’s words have become for me the poetic equivalent of Thomas Paine’s “Common Sense”—it’s a call to arms, a pamphlet that reminds me of the necessity to rebel against the thoughtlessness that keeps the veil over our eyes in this culture. 


Sarah Leidhold, an overzealous student at Worcester State University, harbors a pervasive addiction to both producing and absorbing poetry. She especially enjoys the uninhibited spilling out of inspired sentiments in the all-accepting form of free verse. More of her work can be found here.

Randumb and Dumber

Fall 2014, Uncategorized

by Warren Singh

 

J.D. Salinger once noted that a good book was one that made you wish you were friends with the author. By that measure, I’m reading a good book, even if Nassim Nicholas Taleb is coming off as a bit of an ass. Well, a lot of an ass. But that’s okay, because, apparently, so am I.

I’m just finishing up Fooled By Randomness, a 200-something page book published by Random House that Taleb describes as a personal essay, intended to be read for fun, about “the hidden role of chance in life and in the markets,” as the subtitle has it. Taleb weaves in threads from psychology, economics, philosophy, finance, history, classic literature, probability theory, and anecdotes. In short, the book is an unconstrained story, going wherever it pleases, sprawling out around a central theme like an aerial view of London at night.

What’s the theme? Taleb writes, “I have been periodically challenged to compress all this business of randomness into a few sentences … it is: we favor the visible, the embedded, the personal, the narrated, and the tangible; we scorn the abstract.”

It’s simultaneously discomfiting and liberating to consider Taleb’s central point is that randomness is fundamental in much of our lives. Throughout the book, he expounds on the idea that we are so much less in control of what events occur than we think – we correct our past predictions in hindsight to appear more correct to ourselves, we convince ourselves that we are solely responsible for the good things that happen to us due to our actions, and we become married to our first ideas and beliefs, defending them against any and all incoming evidence to the contrary.

Taleb doesn’t argue that life’s underlying randomness is good or bad per se, he argues for its deep-running nature and indelible impact on our lives, and expounds on this idea that we cannot see it because of our inborn psychological patterns and fallacies. We are, if I may use a neologism, randumb.

Writing in a distinctive, personal voice, Taleb spins out this idea into its many facets, from financial markets to our personal lives and decisions, ultimately musing on the bad (and good) aspects of being so inextricably bound to the vagaries of chance. In the end, Fooled By Randomness is a conversation with an uncle at a family gathering, one who is unashamedly opinionated and iconoclastic, bordering on overbearing – and yet, entertaining, thought-provoking, insightful and very much worth the time.

The Things That Live On

Fall 2014, Uncategorized

by Sean McCarthy

As I follow my grandfather into his garage, which is stuffed with old furniture gathering dust, gardening tools, kitchenware, and old board games, a musty smell reaches my nose. He grabs the short stepladder that I am too small to carry and motions me to follow him into the backyard. The sun has warmed the air on this pleasant June afternoon. We stop at the edge of the woods, and he sets up the ladder. With a basket in hand, I nervously climb up a few steps, grabbing onto his open-collared shirt. He places his hand on the small of my back, the face behind his wide-rimmed glasses full of calmness, a constant easiness. Assured, I let him guide me to the top step. I reach out and grab a fistful of blueberries.

                                                            ***

Some years pass. I’m in church. The priest begins his homily, turning my attention from the way the wood is stained on the pew before me. I lean back in my seat, eyes on Father Bill, the man of the hour, literally. All of his stories begin the same way, starting with some recent event that links to and illustrates the Gospel reading. I don’t really care how much is invented. It isn’t a lecture. He is sharing with us, teaching us what makes life so worthwhile. It is the same consciously peaceful, caring attitude of my grandfather. For the most part, it’s the little things, the things you don’t usually notice, that end up having the biggest impact on our life. These seven-minute tales pull me away from the monotonous bore of church, reminding me of the unspoken closeness I share with my grandfather. It may be that I took these stories for granted early on, but, as I age, I listen ever more attentively to the smallest details—and then one Sunday we are told that Father Bill is ill.

Bill is also my grandfather’s name.

                                                            ***

I’m sitting with my family in Norwood Hospital. My grandfather lies quietly in the bed. Flipping through the channels, my mother starts to ask if the Sox are playing today. He tells her which channel to turn to before she has finished asking the question. There’s nothing about baseball, and especially Red Sox baseball, that my grandfather doesn’t know. The Parkinson’s hasn’t take that away from him.

It’s been a long time since we picked those blueberries.

                                                             ***

Mom tells us kids that it’s time to leave the hospital. I take off my Red Sox hat as I approach his bedside and lean over, my grandfather looking up at me. With a kiss to his forehead, an “I love you,” and a squeeze of his hand, just to make sure he knew I was there, I turn towards the door. Dad wraps his arm around my shoulder as we walk out. But just as we are leaving, my grandfather’s new roommate is being rolled in.

“Father Bill?” Dad asks, turning around.

And so it is. His Bible sits at the end of his bed. He smiles and shakes our hands. I wonder if he recognizes me. Whatever nervousness I had begun to feel as I left my grandfather’s room dissipates. I had heard of how Father Bill was being moved in and out of different hospitals. And now he’s here, with my grandfather and with my family. And that’s just a funny thing.

    ***

 Since my grandparents’ move to Walpole from Falmouth—where we picked the blueberries–and, in turn, my grandfather’s passing, the only trips I make over the Bourne Bridge are to visit him at the Massachusetts National Cemetery. It’s the first anniversary of his death.

He has rubbed off on me. He even taught me how to care for my grandmother, cracking a joke at the perfect time, just so she knows I love her. I stand by the grave, my grandmother’s hand in mine, as I think back to his last year. As his nervous system deteriorated, and his walking slowed, and his back arched, my grandfather kept going. His stubbornness, that I know all too well in myself, kept him fighting that stupid disease. I knew he would never stop the fight. Even when walking to the end of the driveway to get the newspaper became a huge physical and mental test, each step a battle and the stairs a mountain, he always persevered.

                                                                  ***

 It’s a cool day on the Cape. My grandmother stands beside me. The wind dries the tears as quickly as they come. The moment feels surreal, to realize the impact of my grandfather’s life, as I recall times we shared. I look to my left, noticing blueberry bushes lining the woods.


Sean R. McCarthy attends Worcester Polytechnic Institute, in Worcester, Massachusetts, pursuing a degree in Interactive Media and Game Development with minors in English and Entrepreneurship. He is influenced by the imaginations of Jim Henson and Walt Disney.

Tending My Grandfather’s Garden, and First Visiting His Grave

Fall 2014, Uncategorized

by Samuel Hark

JDTWJ

JDTWJ

And at this moment, when the rasp sun slices like a sickle through the wisp of scant clouds, I cannot help but think upon the words of that particular peculiar named poet,

So much depends upon a red wheelbarrow glazed with rain. All in truth except for that sweet respite of rain, I muse to no one but myself and the weeds, as I, the green-thumbed reaper, eradicating

the unsightly root-rotted shrubs, heaving their dusted remains in my heavy red-rusted dead wagon, that has no doubt been long depended on, clearing for your stout stemmed thinnings, long since overgrown,

And when I first came to see you, my hands, slicked wet with sweat and guilt, could no longer bear the weightof your absence, with none to keep by your side, expect for

untended flowerbeds that birth none but the blossoms of my dread, but I have since learned that it is best not to dwell, as so much depends on these days that dare to lend me this dust.

He’s Mine

Fall 2014, Uncategorized

by Nick Porcella

The subject-matter was challenging, even uncomfortable: racism and derogatory language. My task as a mentor was to engage in a dialogue (“a constructive dialogue”) about the topic with my group of high school sophomores. We were to break up into small groups, and right away I looked at Angel, hooded and head down in the back of the room.

“I’ll take him,” I said.

In dodgeball selection Angel always got picked last. Why not change things up and go with the underdog? Even if that underdog had a lot of bite. Angel would be a part of my discussion on racism. He was going to be in my group and I would succeed at instilling in him the dangers, for one thing, of throwing around the word “faggot” so carelessly.

I had made a claim on Angel at a workshop earlier that day. I felt a deep pull towards him, all the time. His jagged edges somehow brought me closer to him than to the other students did. It’s not that I enjoy playing with broken glass, but something about Angel made me both like him and despise him. I don’t know if I felt threatened by him or if I just felt some inherent desire to see him succeed against all the odds working against him (not the least of which was his personality).  Working with Angel, you always wanted more and less–more effort, more care, less sass, less blaming.

Today I wanted more of something. I wanted respect. All I had to do to get Angel to respect me today was to talk to him on his level, man to man. Only, Angel’s just a kid, fourteen years old. But he says he has family in a gang, and he acts like more of a man than me, his masculine aggression not afraid to show through. Not sure how that should make me feel; not sure how he intends to use that information about the gang business one day; not sure if I’m translucent or transparent to him. He would hate me calling him a kid. He’s bright and he’s got all the tools to be a great leader. Angel does nothing to be the leader. He never has to, no one pressures him.

Am I jealous?

But back to dodgeball. “He’s mine. In fact, all you guys can work with me,” I said, addressing a few boys in the back, all sitting with Angel. These boys were always talking, texting, and mouthing off, but for the most part they showed up every week. They never behave well, but eventually they get work done. Our supervisor keeps telling us  mentors that our program really is for students like these. I can’t disagree, even though they were pretty stressful to work with. But by now I had committed myself to working with “the boys in the back of the room.”

Ambition. Macbeth is dead, after all.

Angel was quick to express himself: “Mister, why we got to do this?”

I ignored this. I gathered together  the gang I had so fervently fought for. Right away, they wanted nothing to do with me. Sure, they sat in a circle like I requested, but they did not want to hear a word I had to say. They talked over me, calling each other out: “You Mexican!” “Stop staring at me, a-hole!” “He’s pushing me!”—ironic of course because these were the very things I was trying to address. The noise was intense and all-encompassing, putting me in a stupor: Why did I sign up for this? But then everyone except Angel was talking. My chance. He’s mine.

“Angel, why don’t you talk to me? You’ve shut down.”

He said the activity was dumb. He hated it. Then he added that he was tired of me not listening to him. That one hurt. But was it true? He gave me a powerful stare—dark, pooling eyes and an ascending lower lip—as if he wanted to push my head through the wall. The gaze seemed familiar.

I was looking at James Dayton. I was paralyzed for a roughly two and a half second eternity. A reflex-driven eyelid snapped me back to see Angel. James Dayton, though, mattered to me now, even if I hadn’t thought of him for years. That was on purpose. James Dayton was the high school bully when I grew up. He made me fearful to turn corners in high school, thinking he’d call me a faggot or fake me out with a spectral punch. He owned me; I was his.

“You’re a faggot.” This time it came from Angel, but directed to a friend in the group who could only laugh. I glared at Angel. I wanted an explanation.

“What? He’s my friend,” Angel snapped. I did not know what to say. Calling him out would do nothing. He didn’t have to be here, but he came anyway. What did that count for? I unexpectedly realized that I was engaging with a reincarnation of what I hated and feared most just a few years earlier.

We could never have been friends in high school, I thought. But how can I tell you that? How in the world can I expect you to understand that?

Angel. Angel Dayton? Now I’m teaching you? Now I’m engaging with, talking to, and otherwise building a professional relationship with something I used to despise when it held another name and walked a different walk? I am working in a group with a student that had I been five years younger would have bullied me in high school? Just five years …

I think what was so particularly potent about James Dayton—James Dayton—was that he saw right through me. He knew what to say to hurt me most at any given time. He was talented at that. Raw and extroverted, like Angel. Unfiltered. Uncaring—something I remember both envying and loathing in another human being. I felt threatened then and I realized, in this group of five other guys and a conversation on racism and derogatory language that was heading nowhere, that I felt threatened here, too. I was just a boy.

In high school, when James Dayton was getting ready to pelt me with footballs in gym class, I sometimes thought about how my life would change if I had knocked him out, or even shot him point blank in the right temple. I wished him more animosity than anyone else I had ever known. There were surely people who said that about Angel now. Not me, though, I’m a whole five years older.

Why me? I asked of James Dayton, even though I was far from the only target.

These were not the feelings that I had for Angel. No, I wanted him to succeed, because I knew how bright he was. I knew he could succeed. Angel, though, had the unfortunate combination of extreme intelligence and extreme immaturity. He hadn’t grown into his brain yet, like some kids haven’t grown into their bodies. “Don’t give up on him,” I was told. “Everyone else has. But one day he’ll get it, he’ll blossom, and he’ll be invincible. He can’t do it without at least a little support.”

What if this was James Dayton? Where even is James Dayton today? I mean, last year I laughed at him because I learned that his family had lost their home. That was safe for me, like poking a bear with a hundred-foot poll. James Dayton couldn’t touch me anymore. I had no idea where he was. In a way, I felt (or at least I had convinced myself) that I owned him now. I wouldn’t even know if James Dayton had utilized all that raw ability that was mummified under his being a complete asshole. If I met him at my first class reunion and he was some kind-hearted, remarkably successful philanthropist, I’d probably hate him even more than if he was some conniving, sleazy, bully. His actualization of potential would make the old James Dayton a façade that didn’t have to be. No matter what, I’d find a reason to hate James Dayton.

But now, Angel.

I panicked. Could I teach the next Angel I met? Could I, one day, comfortably talk about literature with a classroom full of James Daytons?

Now that I had had this realization there was no turning back. I would surely see Angel every time someone made fun of another student. I worried for my impartiality. When Angel shines, as many have predicted he will, could I be fair—could I give him a grade of  “A” if he earns it? Just as I had so wanted to say
“he’s mine” to James Dayton, myself throwing a punch and shedding my quiet introverted skin, would I become obsessed with finding a way to own these students, these Angels? I had no desire to become a corrupt teacher, taking out three years of scared corner-turning onto generations of young people whom I didn’t even know. I didn’t even know Angel, did I?

Maybe it wasn’t that, none of that. Was I forgiving James Dayton as he lived vicariously through Angel? Were my constant attempts to work with Angel against all odds, and all fears that I had of him, merely a subconscious desire to forgive James? Maybe it was like the time that a college roommate took something from me without asking; I’d forgive him, but it would take some time, and he may not be a part of that forgiveness.

I wonder if forgiveness can be a selfish thing. I wonder if I can do it alone. I had no intention of telling James anything; I hoped to never see him again. But from a distance, I could forgive him, maybe.

I have always had this sensationalized dream that James would come knocking on my door when we were both forty to say he was sorry for what he did to me in high school, like I saw on a television drama once. When I think about it now, it seems silly, adolescent even. In my own little world, I wanted to own him and I wanted a reason to hate him. When I thought about it like that, none of that was how I felt for Angel—Angel is different. Angel I could still work with. He doesn’t need forgiveness because he doesn’t have that history with me.

But James, though, James is mine to forgive or not.


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Nick Porcella studies English at Clark University, Worcester, Massachusetts, and intends to teach high school. His passions include Herman Melville, rap music, photography, and writing. He is completing a memoir, Getting to Say Goodbye. See more of his work here.

I Am Like You I Am Not Like You

Fall 2014, Uncategorized

by Hannah Yukon

JD

JD

America. The land of the free. The land of multiple brands of peanut butter and endless supply of saturated fat. America. Where my father roamed the streets of Memphis on his yellow bicycle with his best friend Marcus, who was both his neighbor and the only Black kid at his school. America. Where he was forced to attend Sunday school and learn Hebrew. America. Where my father majored in Geology and sacrifice, where he worked in the French Quarter with my Uncle, until he escaped to his Fishing Camp alongside the Mississippi River. Where he got a job working on an oilrig in the middle of the Southwestern Pacific Ocean. New Zealand. Where he fell in love with the whispers of open roads and calibrated data. Where he decided to travel and discover the other parts of himself that he never knew existed. He found other neighbors. Australia, Indonesia, Singapore. And just like Marcus, he was the only one. The only White man in his company. The only White man who rode the bus to work, who ate at the spicy, sweaty, hawker centers, with his blue jeans and scent of foreign. Singapore. Where he met a woman at a library who caught his heart and attention discussing Greek mythology and how the cheese in Switzerland doesn’t taste like the Swiss cheese elsewhere. Now, in his red pickup truck, he found a new friend. The distance between the islands created a chasm…a reaction, and now there was another. New Zealand. Where my father became a father. Where he wore his pants on his waist, instead of underneath his belly where they hang now. Where he decided to raise his daughter near her mother. Where he set sail and finally departed for East Asia. Singapore. Where she grew up Catholic. Where she spent the next 19 years of her life not knowing anything else except constant humidity and lackluster dreams and drainpipes that made too much noise when it rained. Singapore. Where she found herself strung between two poles of identity but where she was only allowed to have one. Countless boxes checked ‘other’, because there wasn’t a space for Mixed American Chinese Catholic Jewish girls. Singapore. Where they didn’t teach us about the Holocaust or Slavery because they were too busy teaching us to be similar and to tolerate the differences, if there were any. Singapore. Where she finally decided to sail West for America, with hopes of re-connecting with a part of her that had been squeezed into a box labeled “other”. America. The land of the free. The land of multiple brands of peanut butter and endless supply of saturated fat. America. Where my White roommate asked me why I speak English so well, or what my ‘real name was’, because ‘Hannah’ wasn’t Asian enough.  


Hannah Yukon enjoys the beach, cats, and guacamole. Born in New Zealand and raised in Singapore, she pursues her mission of something more she doesn’t know yet, in Worcester, Massachusetts. She can be contacted at hannahyukon@gmail.com.